REVIEW: Words of Radiance (Stormlight Archive, #2)

Two years later, and Stormlight Archive has Lashed my hype to the moon.

For a bit of background, I first started my Stormlight Archive journey two years ago.

I bought The Way of Kings physically for my 17th birthday, and even though it was insanely good, it took me two months to read. Once I finished, I wanted to try reading some other smaller stories before I continued with the Stormlight Archive series.

Then months passed.

Then two years.

It constantly hung in the back of my head to continue, even as I read The Sunlit Man and found out it was actually the last story in the Stormlight Archive. But, every time I thought about continuing, I remembered just how long the first book felt.

So, after finishing this past semester, I thought “Why not?” and got Words of Radiance to dive in, starting at the beginning of May.

After finishing, I can confirm, this is one of the worst books I’ve ever read, and somehow it’s beat out Ready Player Two as a purchase I genuinely regret making.

Nah, I’m playing.

5/5 stars, no contest.

I LOVED this book. On my last day of reading, I was on page 800-something out of 1000, and I had to specifically pick the time that I started reading, ‘cause I knew that, with so much going on, once I started, I didn’t want to stop.

So I read the last two hundred pages in one sitting.

I don’t have much of a goal with how I organize this. I know that I’m late as hell to this party, but I just want you guys to reexperience the magic of reading this for the first time — ‘cause there was MAGIC in the experience, especially in the last half.

Words of Radiance easily tops The Way of Kings for me. Sure, it’s been two years since I read it, but even after checking the summary, most of WoK felt like everything happened in its own corners. Shallan and Jasnah’s plotline was largely unrelated to Dalinar’s plotline, which was only tangibly related to Kaladin’s plotline. Obviously, yes, by the end, Sanderson went sicko mode, Dalinar bought Bridge 4, and Shallan and Jasnah started to head for the Shattered Plains, but that doesn’t change that, before then, everything felt like it ran in its own lane, and there was a large lack of magic.

Being an epic fantasy series, I know that Stormlight has a way longer timeframe to scale its “magicness”, so for The Way of Kings, the most “magic” were Shardblades, Shardplate, and Szeth (more on him later). In the context of the setting, “magic” and the Radiants were gone, betrayed their oaths, and Surgebinding, the magic system the series largely focuses on (as far as I know), was almost non-existent in the present time.

I’m a huge fan of magic systems and fight scenes and magic-fueled fight scenes, so even if I loved The Way of Kings, even if the plots themselves were gripping, I spent most of the book waiting for what came next, when the “magic” and the interconnectedness of the plotlines finally turned up to the next level.

Words of Radiance was that next level.

Kaladin, Adolin, and Dalinar were directly interacting with one another for the entire book, and Shallan and Jasnah (at first lol) were on the way to the Shattered Plains. On top of that, we had this constant countdown to the Everstorm, pushing Dalinar and co. further to find out what it even meant. On top of that, we had the threat of a certain street-running assassin showing up again at any time.

I was hooked.

Kaladin’s plotline was my favorite, no contest. His felt the most “punchiest”, mirroring a typical — yet satisfying — growth in his power. After getting a taste at the end of WoK, he spent most of the book learning his new abilities, got smacked by a master of those same abilities, trained to reach a new level of power In the Sky, then lost that power until he reached a new level of his character arc, regaining his resolve to do the right thing and protect Elkohar, before finally facing same that master once again. That final fight between him and Szeth proved not only his superior mastery of his own power, but of himself, of his duty to honor his Oath to protect those who can’t protect themselves, even if he hates them.

I also loved how Kaladin’s got all these “adjacent” skills from his base power of controlling gravity by Lashing objects. It’s not directly written that being a Windrunner lets him fly and have super strength, but he can manipulate his gravity, Lash himself to the sky or suspend his gravity, and technically fly. It isn’t written that he has super strength, but he can lash himself into a dropkick so hard that he breaks his own legs and immediately regenerates them, technically gaining super strength.

Being an author myself and working with magic systems so much, I love how it’s that level of technicality that shows how smart the system’s really designed and opens the door to so many other strategies, like using his gravity control to throw other people around and disorient them, similar to a certain Truthless assassin.

And then Shallan?

She was playing Dishonored.

The entire book, her plotline went from Sea of Thieves to honestly reminding me of that anime The Eminence in Shadow, where the main character just faked his way through situations. Watching her gain her confidence by faking it was amazing, and when she started using it to trick Tyn and then working with the Ghostbloods to infiltrate Amaram’s mansion and evade their assassination attempt? Creating illusions and clones of herself, manipulating her appearance, and creating sound distractions?

She was just living Dishonored!

I used to dread her chapters, but here, I loved hers from beginning to end. Her backstory was so tragic, but the first time I read, I didn’t pick up on the fact that she had TWO SHARDBLADES? I didn’t even realize that, against Tyn and in the chasms with Kaladin, she summoned two entirely different swords. What else has she been through that we don’t know??

My other favorite character, besides Kaladin and Shallan, was a certain street-running, Truthless, unstoppable assassin. Szeth was my introduction to the series, with his prologue scene in The Way of Kings showing me just how “magic” the series could be, how insane the fight scenes will be.

Plus, I just love antagonists.

Even in my own series, the main antagonist is my favorite character. I’m a huge fan of the kinds of antagonists who have everyone panicking just by showing up. Along with the countdown to the Everstorm, Szeth was like another countdown to tension, a background threat that would come back at some point, holding my attention for the moment my boy would show.

And when he did show?

Kaladin’s fight against Szeth was amazing. Cradle had some similarly crazy fights at insane scales, sure, but that scale was so different, and at times, incomprehensible. By a certain point, the characters weren’t just strong — they were so strong, weaker fighters could just die being in their presence. They could punch through dimensions. They could level mountains if they let their restraint go.

Kaladin vs. Szeth wasn’t that. This was like a fighting game round against someone playing the same character — two characters with the same power sets, dueling in the sky, twisting gravity at their demands, clashing their very ideals against one another, and on top of that, it was a REMATCH. That being their second fight, after Szeth cleaned house the first time, made it already something that we were looking forward to.

But it wasn’t my absolute favorite fight scene.

Adolin, Kaladin, Renarin, and Pattern (technically) against the four Shardbearers easily takes that cake. I plan to make a video about this, but imagine being in the crowd after the “Honor is dead, but I’ll see what I can do.”

When we look at fight scene structure in stories, one approach is kishōtenketsu, a narrative structure originating from East Asia that’s often applied in Anime to make fights not just flashy, but to give them an arc, a story, and a defined climax.

You set the scene (ki), raise the stakes (sho), introduce a twist (ten), and then end it with the resolution (ketsu).

But if we look at Adolin and Kaladin vs. Everyone, we don’t get that structure. It felt like we got something even better: he set the scene with Adolin expecting to take on two people, then raised the stakes with it being four on one.

Then another twist. Then another. And another.

And ANOTHER with Kaladin choosing the world’s best time to air out his beef with Amaram.

Safe to say, I loved this book, but of course I couldn’t have liked everything about it. For the most part.

I wasn’t a fan of the interludes. I read most of them, namely, I read all of Elshonai’s. Hers could’ve honestly been actual chapters, with how important they were to the climax of the story.

Outside of hers and Taravangian, though, I don’t really like having to read substantially sized chapters that don’t relate to the overarching story of that book. I’m sure that Rysn is probably so much more relevant as the series goes on, but reading her Interlude felt like a drag, because as nice as the story was, it had nothing to do with what was currently happening.

I made a post about that on TikTok, and learned that, sometimes, it’s okay to skip the interludes! As such, I made the executive decision to skip Lift’s.

It was 36 pages long, at the height of the pre-climax.

It was just too long to be introduced to someone else new that had nothing to do with anything yet.**

I emphasize yet, because I know that she got an entire novella about her. I know that she’s more important later on. Before I continue to Oathbringer, I’ll read her interlude and then Edgedancer, but right now, it was just too long for me.

She’s first on my list when I return to the Stormlight Archives, but I’ll read it on my Kindle, this time, instead of physically. I don’t have any more shelf space!

That, and I’ll wait in general before continuing. I have to catch up on other, shorter reads, like checking out other LitRPG series’ that’re big in the genre. I might even start with some light reading, like Mage Tank, Fire and Song, or even…

...Red Rising.